On the heels of two Grammy-winning albums in succession, with her band Golden Highway—2022’s Crooked Tree and 2023’s City of Gold—plus a nomination for Best New Artist, Molly Tuttle returns with a solo album that’s her most dazzling to date: So Long Little Miss Sunshine.

Recorded in Nashville with producer Jay Joyce (Orville Peck, Miranda Lambert, Lainey Wilson, Eric Church, Cage the Elephant), the fifth full album from the California-born, Nashville-based singer, songwriter, and virtuoso guitarist features twelve new songs—eleven originals and one highly unexpected cover of Icona Pop and Charli xcx’s “I Love It.”

Tuttle’s career, which began at age fifteen, has charted a course between honoring bluegrass and stretching its boundaries. On this album—a hybrid of pop, country, rock, and flat-picking, plus one murder ballad—she goes to a whole new place. Her stunning guitar work is more up-front on this album than ever before. (One of the most decorated female guitarist alive, Tuttle was the first woman to win the prestigious International Bluegrass Music Award’s Guitar Player of the Year in 2017, at age twenty-four, and won again the following year, with nominations nearly every year since; she has also won Americana Music Association’s Instrumentalist of the Year award.) So Long Little Miss Sunshine also features Tuttle playing banjo, something she’s never done on one of her albums before.

“I like to be a bit of a chameleon with my music,” she says. “Keep people guessing and keep it full of surprises.”

Tuttle has been slowly building this collection of songs over the last five years, while also writing and releasing two hugely successful albums and a six-song EP (last year’s Into the Wild) and playing more than 100 shows each year with Golden Highway. Along the way she’d send songs to Joyce, who she first started talking to about collaborating on the album a few years ago.

“I’ve been wanting to make this record for such a long time. Part of me was scared to do such a big departure, and that went into the album title So Long Little Miss Sunshine. It’s like, ‘You know what? I’m just not going to care what people think. I’m going to do what I want.’”

The album was recorded with a group of musicians that includes drummer/percussionists Jay Bellerose and Fred Eltringham, bassist Byron House, and Joyce on multiple instruments. Ketch Secor (Old Crow Medicine Show) also plays banjo, fiddle, and harmonica, as well as singing harmony.

Tuttle also conceived the artwork for So Long Little Miss Sunshine, which features multiple Mollys, each wearing a different wig except for one with nothing on her head at all. (“I probably own as many wigs as I own guitars,” she says.) Tuttle has been bald since she was three years old due to the autoimmune condition alopecia areata; she acts as a spokesperson for the National Alopecia Areata Foundation.

“I love raising awareness,” she says. “I talk about it onstage a lot and broaden it to include anyone who’s ever had something that makes them stick out and look or feel different from others. Playing my song ‘Crooked Tree’ live is very meaningful to me, because it’s a moment where sometimes I’ll take off my wig and talk about my struggles with self-acceptance.”

One album track, “Old Me (New Wig),” is “about leaving all these things behind that don’t serve you anymore,” she says. “Parts of yourself that really aren’t in your best interest, like low self-esteem, anxieties, and not feeling confident. Learning to own these different aspects of my personality but not letting them control me is another theme of the record that inspired the album title and the cover art. Those are all things I’ve struggled with through the years—just feeling like an impostor, like I wasn’t good enough. I like singing this song because there are days when I still have to tell myself to leave that stuff behind.’”

Most of the So Long Little Miss Sunshine songs were co-written with Secor, who is also Tuttle’s partner. “We spend so much time together, we live together, and anytime I have a song idea, or he has one, it’s just so easy to transition from whatever we’re doing into writing a song.”

Although they were written in different times and circumstances, Tuttle found to her surprise that the songs were all tied together by interwoven themes. The opening track, “Everything Burns”—a dark, intense, big-guitar song—was written in 2020, during the chaos and division of the start of the Covid pandemic. It might as easily refer to the current chaos and division in America since Election Day 2024, though. In fact, they recorded it the day after the election.

There are several songs about traveling—sometimes down the open road, like “Highway Knows” and “Oasis”—but also back in time, as on “Easy” and “Golden State of Mind.”

The record also tells “a kind of coming-of-age story,” Tuttle says. “‘Golden State of Mind’ is one of the songs I feel is a through-line to that. It makes me think about people I’ve been close to in the past that I’ve drifted away from, and about growing up and figuring out who you are.”

That theme is in turn picked up in the beautiful ballad “No Regrets,” one of the last songs Tuttle wrote for the album. “It’s about looking back on your life and thinking, ‘Well, maybe I could have done things differently, but if I hadn’t made certain mistakes or gone down certain roads, then I wouldn't be here.’ And I really like where I am now!”

So Long Little Miss Sunshine closes, as her last two albums did, with an autobiographical song, “Story of My So-Called Life.” “This is me looking back on my life, from growing up to going to school in Boston to moving to Nashville to where I am now—taking stock of all these pivotal moments throughout my life that made me who I am. I feel like after I’ve said so much in all the other songs, it’s just kind of nice to end it on a note of, ‘Here’s how this all came to be,’” she says.

Joshua Ray Walker's Tropicana is a sun-soaked departure from a dark, dangerous chapter. Written during his treatment for stage 3b colon cancer, the album's beach-country songs were born from fantasies of ocean breezes and sandy beaches, dreamt up while the longtime road warrior was confined to his home in Dallas, TX, and undergoing chemotherapy. Tropicana trades honky-tonks for hammocks, offering a rallying cry of resilience wrapped in tropical twang. It’s the sound of a critically-acclaimed songwriter who's unwilling to let anything — even the promise of his own mortality — stand in the way of a good hook. 

"Music has always been an escape for me," says Walker. That belief carried him through a career-launching run of concept albums that earned praise from outlets like Rolling Stone, who dubbed him "one of country’s most fascinating young songwriters." In 2023, his momentum hit a new high. Walker released a gender-bending covers album and opened shows for The Killers, but while traveling to Los Angeles to perform his rafter-shaking version of Lizzo’s "Cuz I Love You" on Jimmy Kimmel Live!, he got the news that would change everything: a cancer diagnosis. If Walker ever needed an escape, this was it. 

A series of surgeries and chemo treatments followed. The recovery process left Walker — who'd been playing shows since the age of 13, racking up as many as 250 performances a year — unable to hit the highway. What he could do, though, was head down the block to producer John Pedigo's house. The two had collaborated for years, shaping Walker’s songs, rich blends of autobiography and fiction, into modern-day vessels of classic two-steppin’ twang. This time around, a different mission took shape. 

"I was at home for a year, without the ability to play shows or even take a vacation," Walker explains. "Since I couldn't leave town and go see a palm tree in real life, I started writing about them." Inspired by Jimmy Buffet's early records, George Strait's vacation-minded hits, and the glory days of '90s country music, Walker's new songs all shared a common location: a mythical beachside hotel called The Tropicana. "It's the sort of place where you order a piña colada at the pool bar and go wander down a nondescript beach," Walker says. "I couldn't go to the beach, so I decided to bring the beach to me."

The result is a genuine oasis of a record. On the title track, steel guitar and steel drums share the same space, creating a new musical climate where Texas heat, Key West humidity, cowboy boots, and flip-flops all coexist. Cities like Panama City and Laguna Beach are mentioned during the nine songs that follow, widening Tropicana's scope. "We did that on purpose," Walker says of the album's cross-country imagery. "We didn't limit it to one specific space, because Tropicana is wherever you want it to be."

For Walker, Tropicana sits at the end of the long road from sickness to health. It's the destination he's been headed toward all along, fueled up on sunny melodies and dogged optimism, soundtracking his journey with the south-of-the-border dancehall gem "Dance With Who You Came With," the heartland honky-tonk anthem "Whiskey to My Heart," and the smooth sailing "Laguna." Songs like "Keys to the Tacoma" are packed with enough hooks to pitch their beachside cabanas up and down the country charts, giving Walker the sort of global acclaim that his songwriting so richly deserves. Even so, it's enough to be healthy and cancer-free once again, with an album of new material to play. Joshua Ray Walker hasn't just earned his day in the sun — he wrote it into existence, creating a place where the cervezas are cold, the water is warm, and the pool bar is always open for business. Welcome to the Tropicana.

Cecilia Castleman, 23, compares her writing process to sending letters to herself over and over again. “It’s like reopening envelopes to find the one letter that hits the feeling you’ve been chasing,” “That’s when you have a good song.”

Her self-titled debut is due in 2024 on indie powerhouse Glassnote Records. Listeners can expect a timeless album inspired by The Beatles, Brian Wilson, Fleetwood Mac, and Bonnie Raitt. Produced by Don Was, it’s a stunning collection of songs that highlight everything the Tennessee-born artist does well: lyrics that convey the intimacy of a diary; a dynamic, honeyed voice; and guitar playing that impressed no less than John Mayer.

Her debut single "Lonely Nights" was premiered by Apple's Zane Lowe and deemed "an utterly irresistible delight" by Atwood Magazine. Subsequent singles "It's Alright," and "Lonely Nights" have been played on stages shared with Marcus King, Hozier, Inhaler, Sheryl Crow, Melissa Etheridge & more.